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    <title>Eric D. Snider Movie Reviews</title>
    <link>http://www.ericdsnider.com/movie.php</link>
	<pubDate>Thu, 15 May 2008 03:57:10 UTC</pubDate>
	<lastBuildDate>Thu, 15 May 2008 03:57:10 UTC</lastBuildDate>
	<language>en-us</language>
    <description>Movie reviews written my noted film critic Eric D. Snider</description>
	<copyright>Copyright 2008 Eric D. Snider.  Any reproduction without written permission of Eric D. Snider is strictly prohibited.</copyright>
	<managingEditor>eric@ericdsnider.com (Eric D. Snider)</managingEditor>
	<webMaster>webmaster@ericdsnider.com (Jeff J. Snider)</webMaster>
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	<title>What Happens in Vegas</title>
	<link>http://www.ericdsnider.com/movies/what-happens-in-vegas/</link>
	<guid>http://www.ericdsnider.com/movies/what-happens-in-vegas/</guid>
	<description>
		<![CDATA[This week's New York-based romantic comedy in which two sworn enemies fall in love after being forced to work on something together is "What Happens in Vegas." The film is mechanical and obvious ("comfortable and familiar," a more optimistic critic might say), complete with a leading man named Jack. Jack is what you call your leading man when you don't feel like coming up with a better name for him. When you buy screenplay-writing software, the leading man is named Jack by default, and it remains that way unless you change it. <br /><b>Grade: </b> C<br /><b>Rated PG-13</b>, moderate profanity, some vulgarity and sexual innuendo<br />Length: 1 hr., 39 min.]]>
	</description>
	<pubDate>Fri, 09 May 2008 12:00:00 UTC</pubDate>
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	<title>Speed Racer</title>
	<link>http://www.ericdsnider.com/movies/speed-racer/</link>
	<guid>http://www.ericdsnider.com/movies/speed-racer/</guid>
	<description>
		<![CDATA[When "The Matrix" burst onto the scene in 1999, its creators, brothers Andy and Larry Wachowski, were hailed as geniuses whose advancements in special-effects technology would forever change the way movies were made. That has proven to be true, but it has also proven to be the undoing of countless imitators. These pretenders often fall into the trap of thinking that spectacular visuals are all they need to make a great film, forgetting that "The Matrix" had a terrific <em>story</em>, too. <br /><b>Grade: </b> C-<br /><b>Rated PG</b>, a little mild profanity, some violence, an instance of bird-flipping<br />Length: 2 hrs., 14 min.]]>
	</description>
	<pubDate>Fri, 09 May 2008 12:00:00 UTC</pubDate>
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	<title>Son of Rambow</title>
	<link>http://www.ericdsnider.com/movies/son-of-rambow/</link>
	<guid>http://www.ericdsnider.com/movies/son-of-rambow/</guid>
	<description>
		<![CDATA["Son of Rambow" is filled with small surprises and treasures, a veritable bounty of delight. It perfectly captures the innocent, whimsical joys of boyhood, and it does this in the simplest possible way: by being innocent and whimsical itself. When the characters in the movie grow up, I bet they'll make a film just like this one. <br /><b>Grade: </b> A<br /><b>Rated PG-13</b>, a little vulgarity and reckless behavior<br />Length: 1 hr., 35 min.]]>
	</description>
	<pubDate>Fri, 02 May 2008 12:00:00 UTC</pubDate>
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	<title>Redbelt</title>
	<link>http://www.ericdsnider.com/movies/redbelt/</link>
	<guid>http://www.ericdsnider.com/movies/redbelt/</guid>
	<description>
		<![CDATA[Anton Chekhov's rule of drama was that if you introduce a gun as a prop in Act I, it needs to be fired before the end of the play. David Mamet, a playwright and filmmaker who knows as much about the intricacies of drama as Chekhov did, reverses that rule in his new film "Redbelt." The gun is fired in Act I -- it's the effects of that gunshot that complicate things in Act III. <br /><b>Grade: </b> B+<br /><b>Rated R</b>, scattered harsh profanity, some martial-arts violence<br />Length: 1 hr., 39 min.]]>
	</description>
	<pubDate>Fri, 02 May 2008 12:00:00 UTC</pubDate>
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	<title>Made of Honor</title>
	<link>http://www.ericdsnider.com/movies/made-of-honor/</link>
	<guid>http://www.ericdsnider.com/movies/made-of-honor/</guid>
	<description>
		<![CDATA["Made of Honor" is a terrible romantic comedy, and heaven knows I don't go into romantic comedies with high expectations. The best I can usually hope for is a few funny lines, some charming performances, maybe a slight twist on the usual formula. "Made of Honor" fails in each of those categories, and then some. "Made of Honor" is made of failure. <br /><b>Grade: </b> D-<br /><b>Rated PG-13</b>, a little profanity, some vulgarity and sexual innuendo<br />Length: 1 hr., 41 min.]]>
	</description>
	<pubDate>Fri, 02 May 2008 12:00:00 UTC</pubDate>
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	<title>The Favor</title>
	<link>http://www.ericdsnider.com/movies/the-favor/</link>
	<guid>http://www.ericdsnider.com/movies/the-favor/</guid>
	<description>
		<![CDATA[In the spirit of <a href="http://www.ericdsnider.com/movies/broken-flowers">"Broken Flowers"</a> comes "The Favor," a quiet, methodical drama with no wasted scenes or dialogue, a film that moves as calmly and rationally as its main character. <br /><b>Grade: </b> B<br /><b>Rated Not Rated</b>, probably R for some harsh profanity<br />Length: 1 hr., 50 min.]]>
	</description>
	<pubDate>Fri, 02 May 2008 12:00:00 UTC</pubDate>
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	<title>Iron Man</title>
	<link>http://www.ericdsnider.com/movies/iron-man/</link>
	<guid>http://www.ericdsnider.com/movies/iron-man/</guid>
	<description>
		<![CDATA[Score one for the underdogs: "Iron Man" is certainly not the most well-known or beloved title in the Marvel comic book canon, yet the film adaptation proves to be as plucky, as confident, and as polished as if it were the keystone. If it lacks a little oomph in the story department, or if you could wish for maybe one more action sequence, Robert Downey Jr.'s dynamo central performance makes overlooking those slight flaws an easy thing to do. <br /><b>Grade: </b> B<br /><b>Rated PG-13</b>, a lot of action violence; nothing terribly graphic, but there is a lot of it; also some brief mild sexuality<br />Length: 2 hrs., 6 min.]]>
	</description>
	<pubDate>Thu, 01 May 2008 12:00:00 UTC</pubDate>
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	<title>Standard Operating Procedure (documentary)</title>
	<link>http://www.ericdsnider.com/movies/standard-operating-procedure/</link>
	<guid>http://www.ericdsnider.com/movies/standard-operating-procedure/</guid>
	<description>
		<![CDATA[Errol Morris is the best documentary filmmaker currently working, maybe the best ever, with a body of work unparalleled in its editorial incisiveness and cinematic elegance. Heck, his "Thin Blue Line" led directly to a criminal case being reopened and an innocent man being freed from Death Row. Errol Morris doesn't just make fascinating, revelatory documentaries -- he saves lives!<br /><b>Grade: </b> B+<br /><b>Rated R</b>, some profanity, many nude photographs, violent images, descriptions of torture<br />Length: 1 hr., 58 min.]]>
	</description>
	<pubDate>Fri, 25 Apr 2008 12:00:00 UTC</pubDate>
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	<title>Baby Mama</title>
	<link>http://www.ericdsnider.com/movies/baby-mama/</link>
	<guid>http://www.ericdsnider.com/movies/baby-mama/</guid>
	<description>
		<![CDATA[If we cannot agree that Tina Fey and Amy Poehler are two of the funniest women in television, then we have nothing to say to each other. But I know there are people who hate them, who think they ruined "Saturday Night Live," who automatically despise any sketch in which Poehler (who's still on the show) appears, and who refuse to watch "30 Rock" (which Fey created and stars in). I am puzzled by these people, but hey, to each his own. <br /><b>Grade: </b> B<br /><b>Rated PG-13</b>, a little profanity, some vulgarity<br />Length: 1 hr., 35 min.]]>
	</description>
	<pubDate>Fri, 25 Apr 2008 12:00:00 UTC</pubDate>
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	<title>Harold &amp; Kumar Escape from Guantanamo Bay</title>
	<link>http://www.ericdsnider.com/movies/harold-kumar-escape-from-guantanamo-bay/</link>
	<guid>http://www.ericdsnider.com/movies/harold-kumar-escape-from-guantanamo-bay/</guid>
	<description>
		<![CDATA[It's easy to see how Harold and Kumar, the merry stoners last seen looking for a <a href="http://www.ericdsnider.com/movies/harold-kumar-go-to-white-castle">White Castle</a>, could be mistaken for terrorists. One is Middle-Eastern-looking and one is Korean (<em>North</em> Korean???). They are fanatical and devoted, albeit to marijuana and not religion. And on an airplane, over the roar of the engines, the word "bong" can sound a lot like "bomb." <br /><b>Grade: </b> C+<br /><b>Rated R</b>, abundant harsh profanity and crude language, and a lot of nudity and sexual dialogue<br />Length: 1 hr., 35 min.]]>
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	<pubDate>Fri, 25 Apr 2008 12:00:00 UTC</pubDate>
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	<title>The Life Before Her Eyes</title>
	<link>http://www.ericdsnider.com/movies/the-life-before-her-eyes/</link>
	<guid>http://www.ericdsnider.com/movies/the-life-before-her-eyes/</guid>
	<description>
		<![CDATA[Vadim Perelman, the director of "The Life Before Her Eyes," has said in interviews that he wants people to know how the movie ends before they see it. I'm not going to grant his wish -- that's not how I roll -- but his attitude is unusual, and not just for his unorthodox beliefs about spoilers. I think if you knew how "The Life Before Her Eyes" ended before you saw it, it would defeat what little point the movie has. The movie is all ABOUT the ending. If you already know it, you might as well skip it. <br /><b>Grade: </b> C<br /><b>Rated R</b>, some harsh profanity, some violent images<br />Length: 1 hr., 30 min.]]>
	</description>
	<pubDate>Fri, 18 Apr 2008 12:00:00 UTC</pubDate>
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	<title>Expelled: No Intelligence Allowed (documentary)</title>
	<link>http://www.ericdsnider.com/movies/expelled-no-intelligence-allowed/</link>
	<guid>http://www.ericdsnider.com/movies/expelled-no-intelligence-allowed/</guid>
	<description>
		<![CDATA["Expelled: No Intelligence Allowed" is crap, but it's well-produced crap. I'll give it that. It leads the choir gently by the hand and entertains it with snarky humor before settling in to preach to it. <br /><b>Grade: </b> D+<br /><b>Rated PG</b>, some disturbing Holocaust-related images<br />Length: 1 hr., 40 min.]]>
	</description>
	<pubDate>Fri, 18 Apr 2008 12:00:00 UTC</pubDate>
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	<title>The Forbidden Kingdom</title>
	<link>http://www.ericdsnider.com/movies/the-forbidden-kingdom/</link>
	<guid>http://www.ericdsnider.com/movies/the-forbidden-kingdom/</guid>
	<description>
		<![CDATA[Part of the charm of "The Forbidden Kingdom" is that, like so many of the foreign martial-arts films it emulates, the plot is a crazy quilt of random developments, bizarre characters, and absurd proclamations. It begins with a Boston kid being magically transported, for no good reason, to ancient China, where he sensibly exclaims, "I can't free the Monkey King! I gotta get home!" Any movie with a Monkey King is fine by me.<br /><b>Grade: </b> B-<br /><b>Rated PG-13</b>, some profanity, a lot of bloodless fighting and violence<br />Length: 1 hr., 45 min.]]>
	</description>
	<pubDate>Fri, 18 Apr 2008 12:00:00 UTC</pubDate>
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	<title>Where in the World Is Osama Bin Laden? (documentary)</title>
	<link>http://www.ericdsnider.com/movies/where-in-the-world-is-osama-bin-laden/</link>
	<guid>http://www.ericdsnider.com/movies/where-in-the-world-is-osama-bin-laden/</guid>
	<description>
		<![CDATA[A lot of eyes were on Morgan Spurlock to see what he'd do as a follow-up to <a href="http://www.ericdsnider.com/movies/super-size-me">"Super Size Me,"</a> an out-of-nowhere documentary hit that became a cultural phenomenon and actually effected some change in the McDonald's attitude toward healthfulness (though Mickey D's denies the connection). With Michael Moore's muckraking sense of mischief but none of his abrasive personality or blatantly unfair manipulations, Spurlock is the new poster child for nonfiction filmmaking that's both useful and entertaining -- and he achieved that status with just one movie. <br /><b>Grade: </b> B<br /><b>Rated PG-13</b>, some profanity<br />Length: 1 hr., 33 min.]]>
	</description>
	<pubDate>Fri, 18 Apr 2008 12:00:00 UTC</pubDate>
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	<title>88 Minutes</title>
	<link>http://www.ericdsnider.com/movies/88-minutes/</link>
	<guid>http://www.ericdsnider.com/movies/88-minutes/</guid>
	<description>
		<![CDATA[So here's Al Pacino in yet another mediocre drama, his new stock in trade. "88 Minutes" affords him plenty of opportunities to yell and shoot guns at people, so I guess he's happy. Appearing in a film like this must be the actor's equivalent of eating ice cream and watching "Law & Order" on a Friday night. You know you could be doing something better with your life, but eh, this is easier.<br /><b>Grade: </b> C-<br /><b>Rated R</b>, brief nudity, some moderate violence, one F-word<br />Length: 1 hr., 47 min.]]>
	</description>
	<pubDate>Fri, 18 Apr 2008 12:00:00 UTC</pubDate>
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	<title>Forgetting Sarah Marshall</title>
	<link>http://www.ericdsnider.com/movies/forgetting-sarah-marshall/</link>
	<guid>http://www.ericdsnider.com/movies/forgetting-sarah-marshall/</guid>
	<description>
		<![CDATA[Forget the talk about Judd Apatow's laff factory being a sexist boys' club: "Forgetting Sarah Marshall" emphasizes men's failures, not women's. It is men who cry the most in the film, for a variety of reasons, most of them emotional. It is men who are weak and foolish and asinine. And it is a man who presents himself at his most vulnerable: completely naked while his clothed girlfriend dumps him. <br /><b>Grade: </b> B+<br /><b>Rated R</b>, abundant harsh profanity, some graphic nudity, some strong sexuality<br />Length: 1 hr., 52 min.]]>
	</description>
	<pubDate>Fri, 18 Apr 2008 12:00:00 UTC</pubDate>
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