Eric D. Snider

Terri

Movie Review

"Terri"

Review by Eric D. Snider

Grade: C+

Rating: R

Released: Friday, July 1, 2011

Directed by:

Cast:

I'm sick of all the "Napoleon Dynamite" copycats, and I actually liked "Napoleon Dynamite." I can only imagine how the people who hated it must feel about its imitators. It must be like rubbing salt in the wound.

Those wounds will feel especially salty after "Terri," a vulgar version of "Napoleon Dynamite" in which the title character is an obese, buffoonish teenager who goes to school in his pajamas and catches mice to leave out in the woods for a local hawk. (I assume that yes, the hawk has sharp talons.) Terri lives with his elderly, bewildered Uncle James (Creed Bratton) and befriends a fellow oddball named Chad (Bridger Zadina), who's as bizarrely skinny as Terri is fat.

Terri is played by Jacob Wysocki, a very floppy and apparently unself-conscious young man who makes Jonah Hill look like Seth Rogen. I don't mention his corpulence merely out of cruelty; the film, directed by Azazel Jacobs, is highly interested in it, too. The first time we see Terri, he's soaking in a bathtub, the camera mercilessly observing all his folds and flaps. His shape figures prominently in everything he does throughout the film.

The kids at school are generally pretty mean to Terri, but he becomes a minor hero when he defends a girl whose boyfriend took inappropriate liberties with her during home economics class. The girl, Heather (Olivia Crocicchia), appreciates Terri's sense of justice. Meanwhile, the assistant principal, Mr. Fitzgerald (John C. Reilly), starts meeting with Terri on a weekly basis, possibly because he thinks Terri is mentally handicapped.

You probably know that John C. Reilly's presence in a comedy is a harbinger of good things, and his loony behavior as the unstable Mr. Fitzgerald is this film's greatest asset. To the extent that there is any "message" to the story, it's expressed by Mr. Fitzgerald, speaking to Terri: "Life's a mess, dude. We're all just doing what we can."

That's nice and all, but "Terri" is largely pointless, and while pointlessness isn't necessarily a bad thing in a comedy, it must be accompanied by, well, comedy. Patrick Dewitt's screenplay simply isn't very funny. It's inconsistent at best -- an absurdly amusing scene here, an outrageous bit of mayhem there -- and doesn't add up to anything thematically. That makes it a particularly pointless brand of pointlessness.

Of course, anything related to the funny bone is bound to be subjective; the humor in "Terri" might be up your alley more than it was up mine. I'm not even opposed to the mockery of fat people, if that's what you want to do, but Jacobs doesn't really commit to it. The meanness toward Terri is more casual than calculated, without the payoff that comedy demands. The sensation is uncomfortable, and not the enjoyable kind.

Grade: C+

Rated R, a few F-bombs, some vulgarity, some sexual images and conversations

1 hr., 41 min.

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This item has 5 comments

  1. Adam says:

    What other Napoleon Dynamite copycats have there been? I must seek out these films...

  2. Dustin says:

    This movie gets an automatic "F" from me because "Terri" with an "i" is clearly not a boy's name.

  3. Michael says:

    Wasn't the main reason Napoleon Dynamite worked was because it wasn't vulgar? A vulgar version wouldn't really work in theory...

    Adam, I remember Eagle Vs. Shark was a pretty decent Napoleon Dynamite clone even though Eric only gave it a C... it stars Jermaine Clement from Flight of the Conchords... It wasn't great, but I would have at least given it a B-, because it made me laugh on quite a number of occasions.

  4. orla says:

    We kept hoping somehow this movie would get better. But Eric Snider is correct. Totally pointless. Could not sit through the scene where it looked like the young lady was going to have sex with the obese boy. Had enough and had to walk out.

  5. Howard Schumann says:

    You've completely misread this film. It is a tender, honest, and very observant small film about lonely troubled outsiders reaching out to each other and finding a new sense of self worth. It is not a cruel film in the slightest but one that deals with both the sweetness and pain in its characters without pandering to its audience. The movie doesn't end with Terri in a radically different place than he began it, but he has changed for the better given his ability to create support in his life.

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