Eric D. Snider

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How religious is ‘WALL-E’?

Monday, June 30th, 2008

(This post contains minor “WALL-E” spoilers.)

Many of you saw “WALL-E” over the weekend, and no doubt some of you noticed biblical themes in it. You can’t name a main character “Eve” without invoking the Garden of Eden, of course; nobody could miss that. But what about all the humans living on a ship and waiting for an envoy to return with a plant as proof that it was safe to go home? Did that remind anyone of Noah’s Ark and the dove?

In my review, I mentioned that there were biblical allusions along with the cinematic references like “2001: A Space Odyssey” and Buster Keaton. (I didn’t mention it, but writer/director Andrew Stanton is a Christian, and he discusses how that influences his work in this interview.) My review prompted a Methodist minister to write to me:

I have read 7 reviews so far all by the “top” critics, and while they are all excellent writers, they all, until you, have missed the biblical narratives so skillfully woven into the story. Thanks for having the guts to mention it.

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What the dickens does ‘Live Free or Die Hard’ mean?

Thursday, July 12th, 2007

Got a lovely e-mail from someone named Paul who enjoyed “Live Free or Die Hard,” as well as my review of it. He added this:

But I don’t know who all these people are who think the title is dumb — I think it kicks [butt]. I can just see the guys in Iraq painting that slogan on their tanks.

I thanked Paul for his kind words about my review, and said I guess the title seems dumb because … well, what does it MEAN? “Live Free or Die Hard.” Sure, it sounds cool, but what does it actually mean?

He responded:

I guess I took it as “Live Free or Die Hard (trying to be free).”

Or maybe “(Let us) Live Free (you terrorists, or you’re going to) Die Hard.”

Um…..yeah, I guess it’s dumb.

I applaud Paul’s efforts to try to make sense of the title.

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Two more Erics that I am not

Wednesday, July 4th, 2007
Alt text

Not me.

The latest development in dumb people e-mailing me is People Who Think I am a Famous Eric. I told you a few weeks ago about the person who thought I was Eric Bana. And now we have two more instances of this phenomenon, bringing the total to three, which makes it a bona fide trend!

First came this e-mail, apparently addressed to Erik Per Sullivan, the kid who played Dewey on “Malcolm in the Middle.”

The subject line: “Eric please write back.” The e-mail:

Hi! Well I have some questions. Do u really like asian and Japanese food? And are u really getting reddy 2 turn 16? Well hey do u ever meet people that u like 2 keep in contact with on the computer? What do u like 2 do for fun when u have time off? Sorry if im asking 2 much. well if u dont write back I understand. Well happy erly B-day.
I have just turned 16 to.
And I am Quarter Japanese. But I dont look it, but my sister does.

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Eric’s Sack of Mail: early movie screenings

Tuesday, June 19th, 2007

A devoted reader named Sarah e-mailed me to ask the following.

I have a movie business-related question. Midnight showings of popular movies have been happening for years, but I thought it was very interesting that Pirates 3 started its showings as early as 8 p.m. on Thursday. I’d never seen a movie open like that before, so I suppose my question is: What is the reasoning behind that? Is it to purposely inflate the movie’s box office earnings and break records for opening day gross? Is it to create even more buzz for the film? (Not like Pirates really needs it, in my opinion.) I mean, it seems like once you start giving special showings of the movie at 8 o’clock, why not move the time back even further to 6 o’clock or whatever? Doesn’t that defeat the purpose of having a definitive release date at all?

You ask excellent questions, Sarah, and that kind of common-sense approach is why you could never make it in Hollywood.

You’re right that midnight “sneak previews” for big releases have been common enough for years. Ten o’clock screenings are not unheard of, either; I remember seeing “Batman Returns” that way in Los Angeles all the way back in 1992.

But if a film opens on Friday, May 25, yet has screenings (they don’t even bother calling them “sneak previews” anymore) as early as 8 p.m. on Thursday, May 24, then doesn’t that mean May 24 is the real opening date?

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Update: Previously cited angry letter not actual angry letter

Tuesday, June 12th, 2007

A few months ago, I reported that a student at Brigham Young University had written a letter to the editor of the school paper in which he swiped a joke of mine that I’d used in a “Snide Remarks” column in that very paper several years earlier. In the course of telling you about this, I also quoted (and made fun of) a letter that someone had written in response to the first guy’s letter, offended by some other, non-stolen joke he had made.

Well, the writer of the second letter has written to tell me this:

I googled my name for fun and was surprised to see that I’ve become “famous” for my “angry letter” in the Daily Universe. I just wanted you to know that Jon Harmon [the guy who wrote the first letter] happens to be my roommate and he wrote his letter so he could get out of a final…and I wrote mine as a joke to see if it would get published…I guess I suceeded in my endevor to appear as a “typical angry BYU student.” Just thought you might want to know.

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Eric is lucky, whoever he is

Thursday, May 31st, 2007

I got this strange e-mail:

Hi Eric,

My best friend is really in love with you when she heard about your car crash she was sad then happy that god saved you .SHE HAS ALL YOUR PICTURES!!!! and thinks your wife(or ex) was really lucky. Please email me saying hi or watever because I want to show her the emal as a birthday present because her birthday is in 2 days.

Thank You,
Zeena

At first I thought this was merely an instance of someone seeing a celebrity mentioned on this site and mistakenly (stupidly) believing the site to be affiliated with that person. But then I noticed: She addresses the e-mail “Dear Eric.” So the celebrity Zeena thinks I am is someone with the same first name as me.

And now I’m dying to know: Who did she think I was? Which celebrity Eric has recently suffered a car accident? So I Googled a few of the famous Erics I could think of off the top of my head, along with the words “car accident,” and discovered that Eric Bana crashed a car during a race a few weeks ago. Mystery solved. Except for the mystery of why Zeena thought EricDSnider.com was the website for Eric Bana.

Eric’s Sack of Mail: Loretta is not a prude!

Monday, May 21st, 2007

I got an amusing e-mail from someone regarding my review of the film “Children on Their Birthdays.” You almost certainly have never heard of this film. I’d forgotten about it. There was a press screening for it in the summer of 2002, and it was supposed to be released soon thereafter. Then it got pushed back and pushed back, and it was finally released on Oct. 18, 2002, but only in a handful of theaters. I don’t think it ever even played in Utah, where I lived at the time and where they had the press screening for us.

Anyway, I guess it’s on video now or something, because a woman named Loretta watched it, loved it, and took issue with my review. Her e-mail doesn’t qualify as an Angry Letter, but it is enjoyable for other reasons:

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Eric’s Sack of Mail: Baffling letters

Thursday, March 8th, 2007

Most of the non-spam e-mails I receive fall under two categories: angry letters (which are sadly infrequent) and interesting/useful/pertinent questions or comments. But lately I’ve had a few that fall into a third category: baffling.

First, a lad named Pedro writes to me with this:

Hey Eric Names Pedro and i live in california city of Gardena, well anyways i had an idea for another jackass i was thinking wat about a jackass jr. like teens almost 13-14 year-olds doin stunts but not as hard and more risk-life stunts so yeah please message me back at my email and if u hav any ideas for stunts then feel free to mail them to me and tell me if u can approve my idea film and well try to come bup with some stunts too ill check in about a week well thank you for your valueable time and i look fowrad to this movie bye

Pedro obviously thinks, for some reason, that I am involved in the production of the “Jackass” films. That is baffling in itself (note that we are using the word “baffling” as a euphemism for “stupid”), but more baffling is the notion that an actual “Jackass” producer would want to do a spin-off version featuring minors, thereby ensuring that, however many teens are currently injuring themselves imitating Johnny Knoxville and his brethren, that number (and its accompanying lawsuits) would increase tenfold.

Then someone named Savannah (with an e-mail address containing “1995,” implying she is turning 12 this year) wrote what was apparently a follow-up e-mail, though I don’t recall getting the first one:

you didn’t anwser me.Can i send vin diesel a Email.

You might assume this calls for the form letter indicating that it is foolish to think I have celebrities’ e-mail addresses, but look closely. She didn’t ask for Vin Diesel’s contact information. She asked if it was OK to send him an e-mail. I replied and told her it was fine with me.

Finally, and most baffling, the other day I got this from a reader named Mike:

Don’t know if you’ve reviewed the film Blades of Glory with Will Ferrell and Jon Heder (haven’t been to your site for awhile, and I can’t right now because my work blocks internet).

I would be interested in what you have to say about it.

At first blush, this would appear to be an e-mail from a friend of mine. “Hey, Eric, I can’t access your site because I’m at work, but I’m wondering what you thought of ‘Blades of Glory.’” My friends often call me on the phone to get the lowdown on a film, usually when they’re not near a computer and need to know quickly whether something is good or bad. I suspect that happens to all movie critics.

The thing is, I don’t know Mike. Mike is a complete stranger to me. So here’s what his e-mail says:

“I never read your site anymore, and I can’t right now because I’m at work, but I REALLY want to know what you thought of ‘Blades of Glory.’ Sure, I could wait until I gain access to the Internet — like when I get home from work tonight — but I want to know NOW, and I’m sure you’re not doing anything else. I know you write reviews and post them so that everyone can read them, but I’d prefer you give me some special treatment and just tell ME what you thought.”

When I replied to Mike, I simply pointed out that the movie won’t be released until March 30, and thus it’s still a good three weeks before I’ll have a chance to see it.

But then I got to thinking: What if the movie had already come out, and I had already reviewed it? Normally, if someone asks where they can find a particular review, I reply either with the link, or with the link to the page where all the movie reviews are listed alphabetically and let them find it their own damn selves because what am I, a human search engine?, depending on my mood. But in this case, giving Mike a link of any kind would have been cruel, given his no-Internet status. Was I supposed to copy and paste my review into an e-mail? Or would even that have been too much work for him? Should I have encapsulated my feelings into a sentence or two?

I kind of wish I’d had a review written already, just so I could find out what Mike expected of me.

Eric’s Sack of Mail: random questions, M. Night, Jamie Foxx, theory & law, crying & eating

Saturday, September 9th, 2006

It’s time for another edition of Eric’s Sack of Mail, where I respond to e-mails I’ve gotten that were neither angry, stupid or ill-conceived.

First up is Mike, who often send me e-mails just to hear himself talk, I think. He asks:

With all the movies you watch, do you ever get completely sick of movies? Are you still able to watch movies for fun, or does that feel too much like work? Are there ever major-release movies that you skip because you just know they’re going to be awful and you’ve seen too much crap recently?

I answer, in order:

With all the movies you watch, do you ever get completely sick of movies?

Not really. I suppose there’s a day every now and then when I don’t really feel like watching anything, but I reckon that’s true of most jobs and hobbies. Even a die-hard golfer probably has the occasional day where he’s just not in the mood.

Are you still able to watch movies for fun, or does that feel too much like work?

Well, even when I’m “working” (i.e., I have to write a review), it’s still fun to watch the movie, or at least it’s as fun as the movie itself allows it to be. That is, I don’t have the attitude of “I’m going to work” when I go to a screening; I’m going to the movies! And movies are fun! (Except when they aren’t.)

But I get what you’re asking: Do I watch movies in my spare time, with no obligation to write a review? And the answer is yes. I wish I had time to do it more often, in fact, but the new releases keep me pretty busy. I regularly scan Turner Classic Movies and the Independent Film Channel to see what’s coming up that I haven’t seen before, and my TiVo is full of movies to watch. If one of the local theaters is showing something of interest, I’ll go catch that, too, as when I saw the Coen Brothers’ “Blood Simple” a few months back, or the newly restored print of “Raiders of the Lost Ark” that’s been making the rounds. And I confess to watching most of “Tommy Boy” a few weeks ago when I only meant to check out the DVD extras.

Are there ever major-release movies that you skip because you just know they’re going to be awful and you’ve seen too much crap recently?

No sir. I look at it this way: How can I accurately compile my Best and Worst Movies lists at the end of the year if I haven’t seen all the contenders?

When something looks awful, I actually kind of look forward to it. The negative reviews are fun to write, and sitting through a bad movie with colleagues can be enjoyable, too. It’s like we’re survivors who endured a horrible tragedy together. It bonds us together and makes us stronger.

That said, I almost always think the bad movie is going to be more fun than it really is. It’s like being given a chocolate cake and thinking, “I’m going to eat this ENTIRE cake! It will be sinfully delicious and so bad for me, and I’ll probably feel sick afterward, but it will be FUN!” And then afterward you’re like, “Holy crap, what was I THINKING? Why did I DO that? Why do I do this to myself?”

I’d be more likely to skip a movie that I knew was going to be C-grade — not good enough to be recommendable but not bad enough to be hateworthy. A movie like that, that inspires no strong feelings one way or the other, is 1) very hard to write about and 2) probably going to be forgotten by everyone in a couple months anyway.

But I try not to skip anything at all, because I’m a completist and I figure it’s my job. It’s what I do.

Speaking of movie reviews (which we just were), someone allegedly named J-dawg wrote in with this question several weeks back:

Do you notice critic’s responses to movies you haven’t yet seen? If yes, can you discern whether or not they affect you?

The agenda behind my questions is that I wonder whether M. Night [Shyamalan]’s recent movies have been “meta-criticized” (for lack of a better term) — in other words, critics seem to be influenced by other critics’ comments (in his case, to his detriment) more than is the case w/ a regular movie. I just worry that he is not getting the same level of objectivity — whatever that actually means. (Perhaps there are other external factors, like his reputation as preachy, self-righteous, egocentrical etc.)

I love all of M. Night’s major productions, and I might not be credible because I can tell that I really want to like them. I give him a huge benefit of the doubt, and I hate to see him lambasted by the critics. At least he is doing something interesting that will be seen by the mainstream of Americans, whereas all the other interesting directors seem relegated to smaller venues.

Anyway, any thoughts?

A most intriguing question. In general, no, I don’t notice other critics’ responses to movies. The reason is simple: We’re usually all seeing the movie within a couple days of each other and not publishing our reviews until opening day. So we don’t know what our fellow critics think until we read their reviews, usually the same day our own are published.

This is a common misconception, I think. People think critics will all jump on the bandwagon, but the fact is, we’re usually seeing everything at the same time. In the case of some art films, which open in NYC and LA and then spread out, yes, there can be some bandwagon-jumping at times. But for an ordinary wide release, opening everywhere at once? Nope.

(For the record, in cases where I am reviewing a movie for which reviews are already available, I don’t read any of them until I’ve written mine.)

As for Shyamalan, it really wasn’t until “The Village” that critics in general stopped liking him. You always had a few who hated him, who found him self-indulgent. But overall, “Sixth Sense,” “Unbreakable” and “Signs” were well-received.

A lot of people (critics and viewers alike) HATED “The Village,” though, and it’s possible some critics started to rethink their favorable views toward his earlier films. Are critics eager to hate “Lady in the Water”? I dunno, some, maybe. But there are lots of filmmakers who are not generally well-regarded among critics, where critics salivate at the chance to pick them apart. It’s true of any filmmaker who is different or unusual in any way: Some people love him and some people hate him.

Next: A fellow named Adam wrote in with a Foxx-related question:

I’ve read several of your reviews where mention being surprised that Jamie Foxx was as good as he was (Any Given Sunday, Collateral, Ray).

I haven’t come accross any yet where you actually found him annoying. Could you point me to a few of his movies which initially caused you to “dislike him with a strong, violent passion?” [See the "Collateral" review for the genesis of that quotation.] I guess I’ve only seen the “good” version of him.

“Held Up” and “Bait” would be good examples of the annoying Jamie Foxx. My initial impressions of him were mostly formed from seeing him on television, though, particularly “In Living Color.” I cringe just remembering it.

Moving on, we come to Matt, who writes very thoughtfully on the semantics involved in the global warming and evolution debates.

I’ve read your stuff for years and though I’ve often been tempted to send an email, I’ve never been able to muster enough gumption. I do have a comment about this global warming debate that has rankled me just enough to open this window and write something in it.

I just have two points to make, and you can do whatever you like with them.

Point 1: In one of the letters you received concerning the controversy, a writer said that global warming is “just a theory,” and hasn’t “passed the scientific test to become a law.” This statement, used over and over again in letters to the editor to talk about things like global warming and evolution, is just plain ignorant. In science, [if something is] a “theory,” [that means it] has passed the scientific test, most times over and over again. Folks outside of the science community often confuse the term “theory” with “hypothesis” (remember learning about the scientific method in high school?) and think that it’s just something that was dreamt up by a liberal scientist in an office.

More on the semantics of the word “theory”: a theory is something to explain something that has been decided by the scientific community to be irrefutable fact. Theories regarding, say, dinosaurs don’t hypothesize the existence of dinosaurs, but seek to explain different aspects of their lives. Evolution is the same thing. When someone talks about the “theory of evolution,” they are assuming that evolution is a comfirmed fact, so they use a theory like natural selection to explain it.

When scientists talk about theories in conjunction with global warming, they are observing the phenomenon and seeking to explain it. The controversy, therefore, isn’t that the earth is warming up (that’s considered a fact) but what is causing it, if it’s caused by humans, and if there’s anything we can do about it. There’s plenty of room here for debate, and scientists, contrary to what a lot of right-wing folks like to think, LOVE to disagree with one another. That’s how they make a name for themselves.

Point 2: (hopefully shorter) The word law, as in “the law of gravity,” is treated by these same folks as some kind of ironclad thing. Gravity must exist because that word “law” is in there somewhere. Newton’s law of gravity, though, while elegant and easy to understand and effective enough to send rockets to the moon and back, isn’t the best explanation of gravity. Einstein came up with a better one that holds up on super small levels where Newton’s falls apart. Yet Einstein’s explanation is called a theory and Newton’s a law.

All I’m really trying to say is that dismissing Global Warming as “just a theory” is one of the dumbest arguments you can make. It disregards decades of grueling data collection, analysis and interpretation and drives scientists crazy.

Hope you loved it.

I loved it immensely. You make some points I had not considered before, being a non-scientific layperson type myself.

And finally, speaking of loving things, a reader named Joshua wrote in to say this:

In response to your ["Snide Remarks"] comment — “The serving sizes on junk food are always ridiculous. A pint of Ben & Jerry’s is allegedly four servings, but I’ve often eaten the entire thing in one sitting, usually while watching TV and sometimes while crying.” I thought you might be interested in this website if you haven’t already seen it: Crying While Eating.

I had not seen Crying While Eating before, and I am forever grateful that you have shown it to me. I urge everyone to visit this site at once and behold its absurdist glory. You will find many 30-second viewer-submitted video clips in which people cry while eating (or eat while crying). Each clip is labeled with what the participants are eating and an explanation of why they are crying. The deconstructionist in me wants to tell you why, exactly, some of these clips are so pants-wettingly funny to me, but I won’t spoil the magic by analyzing it.

Thus another edition of Eric’s Sack of Mail comes to a close. Your questions and comments are always welcome, and every single one is read by me personally, except for the boring ones, which I have the Laotian kids in the sweatshop decipher for me.

Eric’s Sack of Mail: ‘Click,’ Ask Eric Stuff, video vs. film

Monday, July 10th, 2006

Ahoy! It’s time for Eric’s Sack of Mail, where I respond to e-mails I’ve gotten that were neither stupid nor angry. (Don’t worry; we have some stupid/angry letters to respond to tomorrow.)

First up is Steve, who has this response to my review of Adam Sandler’s latest opus, “Click”:

I just read your Click review and I think you got it wrong. I really enjoyed the film. Yes, it rips off many films, but I think you underestimate the feelings of 30ish guys who feel like they don’t get enough time with thier family. Films like this will touch them.

Also, you said: “Why, if Michael can skip ahead a few chapters, he can’t also skip BACK a few chapters if he fears he’s gone too far is not explained.”

It is explained, I think you weren’t paying attention. He DOES go back many times in the film (you even comment about going back to 1976). If he FF’s or SKIP’s a chapter, he is still “living” it on “auto-pilot” … so going BACK would allow him to SEE himself, but not “re-do” the moment. He does this many times in the film, how could you miss it?

Regarding the first paragraph: I understand those feelings. I just also understand that the same idea (workaholic dad comes to realize family is most important) has been done — and done better — in 1,000,000,000,000,000 other movies already. But yeah, if a viewer hasn’t seen any of them, I suppose “Click” will do the job.

Regarding the rest: Yes, I saw those scenes, and their existence strengthens my point. I wasn’t suggesting he go back and re-do the scenes he slept-walked through. I was suggesting he go back and at least re-watch them, partly to learn information he needed, and partly to at least WATCH his kids grow up, if not actually interact with them. I mean, if he really feels like he missed out on his kids’ childhood, why not get out the home movies, as it were, and watch ‘em?

Now that we’ve discussed the metaphysics of the Adam Sandler movie, let’s see what “Snide Remarks” reader Tina has to say:

I have a complaint. I hesitate to mention it because in general, I’m a huge fan of all things Snider. [This is the right way to begin an e-mail, by the way.] I commend you Eric for your exceptionally entertaining and informative movie reviews, and your usually-high-quality columns. I say usually because I find the “ask Eric” installments to be a distinct drop on the humor scale from the standard columns. I understand that I am only one reader, and it is possible that there is a large segment of readers who look forward to the “Ask Eric” columns. It is my hope however, that my comment will join a throng of similiar comments and together they will have the power to enact the change I wish to see in the world. Thank you for your time.

Well, I respect Tina’s desire to change the world for good. The “Ask Eric Stuff” columns (sort of a parody of Dear Abby, where people write in with questions and I give unhelpful answers) were hugely popular when I first started doing them in 2001. But it’s true, I haven’t heard much about them lately.

What do you say, “Snide Remarks” subscribers? You likey? No likey? Don’t worry about hurting my feelings, for I have none.

Finally, Alisha writes in with a question that actually required a bit of research to answer. For that I am bitter and angry.

The other day I was reading some article that referred to a movie as being made on video rather than on film, or something to that effect. I can’t remember where I read the article, so I can’t reference it for you–I don’t even remember the film the article discussed. My question is, what’s the difference?

Good question. The technological differences between video and film are complicated, but the key thing is the way the finished products look.

When something is shot on film, it’s really taking 24 still pictures of the subject every second. When those pictures are viewed quickly one after another, it gives the appearance of movement.

Video, on the other hand, records 30 images per second. Plus, each image is divided into two separate fields that interlace to form a complete image — in other words, 60 separate half-resolution images are recorded every second. You get a lot less blurring with 60 images per second as opposed to 24. This is closer to the way human vision works, which is why video looks more “real” than film.

And that’s the chief difference: Video looks more real. For comparison, look at a soap opera (they’re shot on video) and a show like “CSI” (which is shot on film). The soap opera will look more immediate and natural, like it could be happening there in your well-appointed living room. “CSI” looks more like a movie: slightly grainy, slightly detached from what real life looks like. (There are other differences, too, such as lighting and photo-developing techniques, but the video/film difference is the main one.)

Theatrical movies are almost never shot on video. Video looks cheaper than film (which it is), and so shot-on-video movies tend to look amateurish and homemade. You see them a lot at film festivals, but they rarely make it beyond that.

Of course, now we’re starting to see digital video, which is a much higher-quality video that doesn’t look homemade and which has been embraced by major directors such as George Lucas and Robert Rodriguez. Some argue it’s the way of the future; some, like Steven Spielberg, vow they’ll never stop shooting on good old-fashioned film.

Whew! Someone with more technological expertise than myself might have a better, more succinct answer to the video-vs-film question, but I think that basically sums it up. If any brainy readers do have a better one, or if I’ve gotten something wrong, please let me know. And in the meantime, thanks to everyone who contributed to this edition of Eric’s Sack of Mail!

 
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